The Other Side

I sat before my glass one day,
And conjured up a vision bare,
Unlike the aspects glad and gay,
That erst were found reflected there –
The vision of a woman, wild
With more than womanly despair.

Her hair stood back on either side
A face bereft of loveliness.
It had no envy now to hide
What once no man on earth could guess.
It formed the thorny aureole
Of hard unsanctified distress.

Her lips were open – not a sound
Came through the parted lines of red.
Whate'er it was, the hideous wound
In silence and in secret bled.
No sigh relieved her speechless woe,
She had no voice to speak her dread.

And in her lurid eyes there shone
The dying flame of life's desire,
Made mad because its hope was gone,
And kindled at the leaping fire
Of jealousy, and fierce revenge,
And strength that could not change nor tire.

Shade of a shadow in the glass,
O set the crystal surface free!
Pass – as the fairer visions pass –
Nor ever more return, to be
The ghost of a distracted hour,
That heard me whisper, "I am she!"

- Mary Elizabeth Coleridge, "The Other Side of a Mirror"

Rise Up!

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.

Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.

Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.

Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own back yard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?

Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.

Maya Angelou, "Still I Rise"

The Sales...man

Rene Magritte, "Golconde" (1953)

As was often the case with Magritte's works, the title Golconda was found by his poet friend Louis Scutenaire. Golkonda is a ruined city in the state of Telangana, India, near Hyderabad, which from the mid-14th century until the end of the 17th was the capital of two successive kingdoms; the fame it acquired through being the center of the region's legendary diamond industry was such that its name remains, according to the Oxford English Dictionary, "a synonym for 'mine of wealth'."

The Duke

You know it's your neglect
is the reason that I'm so obsessed with you
And when I asked you your name you said John Wayne
And I guess it's true
Coz then you shot me down
Doubled over and I hit the ground right in front of you
I guess in the Wild West
it's ok to shoot the pest that's annoying you

Finalize

“Finished, it's finished, nearly finished, it must be nearly finished. Grain upon grain, one by one, and one day, suddenly, there's a heap, a little heap, the impossible heap. I can't be punished any more. I'll go now to my kitchen, ten feet by ten feet by ten feet, and wait for him to whistle me. Nice dimensions, nice proportions, I'll lean on the table, and look at the wall, and wait for him to whistle me.”

― Samuel Beckett, "Endgame"

PSB v. PBS

from Wikipedia

Founded by Hartford N. Gunn Jr., PBS began operations on October 5, 1970, taking over many of the functions of its predecessor, National Educational Television (NET), which later merged with Newark, New Jersey station WNDT to form WNET. In 1973 it merged with Educational Television Stations.

Unlike the five major commercial broadcast television networks in the United States, ABC, CBS, NBC, Fox and The CW – which compensate their affiliate stations to carry their programs – PBS is not a network but a program distributor that provides television content and related services to its member stations. Each station is charged with the responsibility of programming local content (often news, interview, cultural and public affairs programs) for their individual market or state that supplements content provided by PBS and other public television distributors.

In a television network structure, affiliates give up portions of their local advertising airtime in exchange for carrying network programming, and the network pays its affiliates a share of the revenue it earns from advertising (although this structure has been reversed in recent years, with the network compensated by the stations). By contrast, PBS member stations pay fees for the shows acquired and distributed by the national organization. Under this relationship, PBS member stations have greater latitude in local scheduling than their commercial broadcasting counterparts. Scheduling of PBS-distributed series may vary greatly depending on the market. This can be a source of tension as stations seek to preserve their localism, and PBS strives to market a consistent national lineup. However, PBS has a policy of "common carriage," which requires most stations to clear the national prime time programs on a common programming schedule to market them nationally more effectively. Management at former Los Angeles member KCET cited unresolvable financial and programming disputes among its major reasons for leaving PBS after over 40 years in January 2011.

Although PBS has a set schedule of programming (particularly in regard to its prime time schedule, while many members carry a feed of night-time programming from the PBS Satellite Service), member stations reserve the right to schedule PBS-distributed programming in other time slots or not clear it all if they choose to do so; few of the service's members carry all its programming. Most PBS stations timeshift some distributed programs. Once PBS accepts a program offered for distribution, PBS, rather than the originating member station, retains exclusive rebroadcasting rights during an agreed period. Suppliers retain the right to sell the program in non-broadcast media such as DVDs, books, and sometimes PBS licensed merchandise (but sometimes grant such ancillary rights as well to PBS).

[...]

As of March 2015, PBS maintains current memberships with 354 television stations encompassing 50 states, the District of Columbia and four U.S. possessions;[4][26] as such, it is the only television broadcaster in the United States – commercial or non-commercial – which has station partners licensed in every U.S. state (by comparison, none of the five major commercial broadcast networks has affiliates in certain states where PBS has members, most notably New Jersey). The service has an estimated national reach of 93.74% of all households in the United States (or 292,926,047 Americans with at least one television set).

PBS stations are commonly operated by non-profit organizations, state agencies, local authorities (such as municipal boards of education), or universities in their city of license; this is similar (albeit more centralized in states where a licensee owns multiple stations rebroadcasting the main PBS member) to the early model of commercial broadcasting in the U.S., in which network-affiliated stations were initially owned by companies that owned few to no other television stations elsewhere in the country. In some U.S. states, a group of PBS stations throughout the entire state may be organized into a single regional "subnetwork" (such as Alabama Public Television and the Arkansas Educational Television Network); in this model, PBS programming and other content is distributed by the originating station in the subnetwork to other full-power stations that serve as satellites as well as any low-power translators in other areas of the state. Some states may be served by such a regional network and simultaneously have PBS member stations in a certain city (such as the case with secondary member KBDI-TV in Denver, which is not related to Colorado member network Rocky Mountain PBS and its flagship station and primary Denver PBS member, KRMA-TV) that operate autonomously from the regional member network.

[...]

Since 53% to 60% of public television's revenues come from private membership donations and grants, most stations solicit individual donations by methods including fundraising, pledge drives or telethons, which disrupt regularly scheduled programming. This annoys some viewers, since regularly scheduled programming is often replaced with specials aimed at a wider audience (such as music specials aimed at the baby boomer generation, and financial, health and motivational programs) to solicit new members and donations; during fundraising events, these programs are often interrupted within the broadcast by long-form segments (of six to eight minutes in length) extolling viewers to donate to their PBS member. Underwriting spots are aired at the end of each program, which differ from traditional commercials in several ways. Each spot must be approved to meet several guidelines. The main guidelines state that underwriting spots cannot be qualitative in any way, nor can they have any call to action.

[...]

PBS provides an alternate path for WEA alerts to wireless carriers. The alerts are transmitted through the PBS satellite network on the AMC-21 satellite to PBS stations who broadcast the messages over their transmitters for reception by wireless carriers at their cell sites.

The network is funded by a grant through National Telecommunications and Information Administration (NTIA).

Fruit Salad?

FORBIDDEN fruit a flavor has
That lawful orchards mocks;
How luscious lies the pea within
The pod that Duty locks!

- Emily Dickinson, "Life (LXXXVII)"